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Sunday, October 30, 2011
News and Views from Spain
Friday, October 21, 2011
In Praise of Beauty
"Miss Josephine Dunbar
Conniston
Lake District
12th June 2002
Dear Mr Elland,
Thank you very much for your recent letter. It is always a pleasure to
know that someone has enjoyed my work, especially a young man like you who
might easily find the writings of an old woman twee and tiresome.
It is an interesting question you ask, one that I have never asked
myself as such, but I shall now do so and try to find an answer. You ask it of
me, perhaps because as a poetess, or simply poet as the younger ones refer to
themselves (I think they are right to do so, but for myself I prefer the older
form) you imagine I am used to finding beauty. You might even think I know what
it is. Let me see if I can help you here.
I have spent my life seeking beauty anywhere it might be found. I have
been fortunate in having the means to do this but I can say that I have made it
the purpose of my life to find beauty. Or rather I discovered that the only
purpose I could conceive of my life having was to experience beauty.
The expression of beauty in my poems is secondary. They are almost a
diversion, a pastime, enjoyable (and frustrating) to write, and which serve to
set down what I have experienced, and perhaps allow others to feel it too. They
may be beautiful in themselves; they are intended to be. But really what I have
wanted to do all my life is to contemplate beauty. It is why I live here, and
is behind most of what I have done in my life.
It is not at all easy to explain what beauty is. Dictionaries tend to
speak of that which inspires pleasure in the senses, or cause spiritual
delight. I think it is very hard to define in a way that makes sense to someone
who does not understand it. It is more a feeling we all have in our hearts which
is revealed by certain things at certain times. We can and I believe we should
learn to await and expect those moments, to give our heart the opportunity to
see the beauty in something which might otherwise pass us by unenjoyed. Many
people fail to notice the beauty around them, much less seek it out
deliberately, because they have no time, no freedom of action, of will or of
spirit to allow them to do it. It is a great shame that so many people spend
their whole lives oblivious to almost everything that would make them
meaningful. Perhaps they do not miss it, perhaps they find other things as
important to them as beauty is to me. Perhaps they do not think to find a
reason, but simply live out of habit. I could not say, and I know that it is
very hard to increase the sense of beauty in grown men and women. In children
it is easier and highly rewarding. I have frequently had the satisfaction of
doing this in schools or with small groups who visit. They are marvellously
receptive to beauty and delight in finding it in places they had never
previously thought to look.
Fortunately there are people who feel the value of beauty and want to
appreciate it more. I could repeat my belief that beauty is the main purpose,
at least of my own life, and I cannot imagine another. Most of the people I
talk to or correspond with regularly share this view of life, or this passion,
in slightly more realist terms. Were you to become one of them I should be very
happy to keep receiving and replying to your letters.
You know what beauty is, then. That much is obvious. Trust your instinct
in this, because it really cannot be wrong. John Keats said that what the mind
seizes as beautiful must be true, a remark I must say I have never been quite
certain of understanding. Presumably he referred to artistic truth, which is
different from scientific or rational or historical truth, but equally real in
its sphere of application. In any case it is certainly true that what the mind
seizes as beautiful must be beautiful. So you may have confidence in your own
reactions. I repeat, trust your instinct.
Beauty can be found almost anywhere. I don’t, I imagine, need to tell
you that beauty can be found in nature, in music, in pictures, in everything we
call art, but there is much more to be found. Found, I say, and I insist on
this. You discover beauty, perhaps where you or others have not noticed it
before, but you cannot interpret or define it into existence.
It is one of the great things that makes us human, together with reason,
speech, sense of humour, and very little else I think, but the ability to
appreciate beauty is uniquely human because no other creature has anything
remotely like it. There are animals that learn from experience, all of them to
a certain extent, some of them by trial and error and memory of past failures.
Most seem to communicate in some way, all social or sexual animals need to be
able to do it. Most mammals, at least, appear to enjoy play and to have fun,
especially when they are young. We can see the origin of these things in other
animals, but the love and imitation of beauty has no counterpart in the animal
world. Courtship displays are an entirely instinctive phenomenon, both in the
male creator and the female observer, and are absolutely not precedents or origins.
(Cave paintings were not done to impress women, and women did not watch the
sunset as they watched the biceps of the menfolk. I think you would agree on
this.) Beauty is real and exists in the world, but to see it one must be human,
and that gift evolved directly from the human spirit, not from our primitive
instincts. That is why I think we are at our most gloriously human when we
contemplate and understand beauty. I might also add, as you will have realised
anyhow, that it is in my nature to love it above all things.
Where to look for beauty, other than in the places you know of already?
Think about these things:
Consider the shape of a blade of tall grass, or an ear
of corn, or a branch of a willow tree. Don’t imagine them, go and look at them.
Find them when their shape is exactly as it should be, when they are at their
finest and proudest, when the weather has been kind to them, and look for the
best among them. Observe how the colours respond to the light, how the edges
form lines that are sublimely smooth but never straight, how they bend and sway
in the wind, however still the air may seem, how they form groups that move not
quite as one, but exactly as they should. Enjoy the shape and the movement and
the sound it all makes. Do not attempt at first to turn it into anything more
than what it is. Do not seek words to describe it or parallels with other
beautiful things, less still with works of human creation.
(The idea that man can compete with God is a conceit
of those who make art. It is not true, I fear. Human art in any form- when it
is anything at all, and it is not always- is an expression of something
conceived by the human mind. The beauty of nature, the art of God, if you like,
exists for reasons quite different from those we have for creating things, and
which are probably beyond our comprehension. They should not be compared, even
when one represents the other.)
Do not, as I say, attempt to interpret the sensations
which arrive at the senses; just allow them to exist as they are. There is a
time later for asking why we love to experience these things, and the answers
can help us enjoy them more, but at first you must learn to recognise the
inherent beauty. Only we can understand beauty, but it is not a human creation,
we did not invent it and we cannot impose it on anything. It is there if we
know how to find it.
Look at the human body. There is beauty- do not
confuse this with human attractiveness, beauty is far more than that- in many
parts of many bodies, in many movements or expressions, habitual or fleeting.
Hair can be beautiful, eyes, feet, a gesture. The whole body can acquire beauty
because of what it does, and it can do something beautiful while itself being
ugly. (Ugliness is quite as real, and at least as common, as beauty. I think it
is obvious that one could not exist without the other.) It is curious for
example, I thought it most curious when I first observed it, that classical
ballet cannot be performed beautifully by ugly dancers, whereas Flamenco can. I
have in Southern Spain seen shrivelled old
women with twisted limbs make beauty with their bodies to the sound of a Gypsy
guitar. Forgive me the rhetorical flourish. It is a distinction I have never
been able to explain, something to do with the distance of the performer from
the original conception of what is being expressed, I should think, but it is
undoubtedly true, I assure you.
There can be, there is, beauty in the shape, the form,
the texture, the colour, the pattern of light, the grace of motion, of
forgotten parts of the body. Even of parts that a young man like you may not
have the habit of looking at. The angle of a heel, the closing of an eye, the
way a smile takes shape, the colour of a cheek, the way a sleeve folds around a
wrist.
There is in the museum at the Acropolis a series of
scenes from the frieze which depicts the Panathenaic procession. One particular
moment captured is of a young woman, an unimportant part of that procession,
bending to adjust or tie her sandal, which has come loose or is bothering her
in some way as she walks. The gesture is not especially graceful, it is rather
clumsy, in fact. Yet there is a remarkable beauty in the carving. That beauty
is the work of the sculptor, of course, but his skill was inspired by his eye
for detail. He undoubtedly noticed what most would not even have thought to
look for, a fragment of beauty hidden in the most insignificant part of the
spectacle. That is what you must learn to do. You may or may not be a gifted
artist, the skill of Pheidias is given to very few indeed, but you can learn to
look. You may not have his hand, but you can have his eye.
That last sentence sounds more like a silly old woman
trying to be clever than a poetess. I shall leave it in, though, so you know
who it is that is giving you this advice. I hope you have written to others as
well.
There is a rather absurd notion of found poetry,
another conceit of artists, I fear. I object to the name because poetry is
created, and can no more be found than can art (unless salvaged from an ancient
shipwreck like the Venus de Milo, but that is not what I mean of course.) The
expression is used to mean the chance placing of beautiful phrases in technical
or other mundane settings. They are no more poetry than Coniston is sculpture,
but they may be beautiful. It takes a practised eye, or at least a willing one,
to see them and perhaps that is why they are confused with art by some. Do not
imagine, then, that there is no beauty in the dictionary, in descriptions of
rock sediment, in signs hastily written and pinned onto boards, in the
telephone directory.
(As another little aside, I think what these and many
other possible sources of surprisingly agreeable language have in common is
that they are produced unselfconsciously. The writer is not hoping to be
awarded a prize, only to be clearly understood.)
The way the sense respond to the sound of a cricket
bat striking a ball must mean that it has some intrinsic beauty, besides being
almost unbearably evocative to the true lover of the game..."
On the Search for God
Walking along the banks of the river the other day, and arguing with myself about the truth or otherwise of such thoughts as popped into my head, I was struck by the following, doubtless unoriginal, ideas.
Science
will never discover God because one of the axioms/dogmas/assumptions of science
is that nothing is, in theory, beyond the reach of human reason. God is almost
certainly beyond that reach, being, for reasons of His own, discernible only by
revelation. Therefore the scientific method can never find Him as it has
defined him not to exist and will always reach that conclusion. It is possible
that human reason (groping blindly from paving stone to paving stone, with no
knowledge whatsoever of and no way to conceive of what might be off to the
sides) is far from being the perfect instrument we imagine, and is even created
imperfect for a reason, that it is sufficient for us to recognise and love God,
if we choose, and no more.
It is easy to say that there is nothing to suggest the existence of an omnipotent, omniscient, being guiing his creation and waiting to judge us when we die, but the mistake that the more vocal atheists make is to imagine that all knowledge must be accessible to human reason. There is no reason whatsoever why this should be so. Militant atheists of the Dawkins/Randi type make rather too much noise, and show up their superstitious horror of anything that lies beyond their ability to discover.
I am a great fan of reason, and a great believer in its ability to provide both knowledge and certainty about that knowledge, but I think it highly arrogant to assume that this rather poor tool of ours- which some wield with great dexterity, it's true- is a universal attractant for everything that is so. Recognise the limits, attempt to push them back, by all means, but do not imagine you can be certain of what is or is not beyond them.
Monday, October 17, 2011
Of Wells
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Anyhow, the Pilar in the town here is not a pillar, it’s a
different word meaning ‘spring’. The original village came into being because
of that spring, and it grew because it was on the royal road from Toledo to
Cordoba. People would rest at the spring, eat, buy things, stay overnight, and
it became a sort of 10th C Watford Gap.
In the 12thC, after some unpleasantness with the Arabs
caused the fortified settlement nearby to be abandoned, the King founded a
walled town on this site, more or less guaranteeing its existence, growth and
protection. But old names of the place, and still existing names of streets and
neighbourhoods, reveal a lot about the intricate relationship between the town
and its springs and wells.
One of the earliest names of the village on this spot was
Pozuelo de Don Gil, (Don Gil’s Well). D. Gil Turro was the semi-legendary
founder. Later it was known as Pozuelo Seco (Dry Well), which is partly why the
major settlement in the area moved to a hilltop by the river about 8 miles
away. There is a street Pozo Dulce (Sweet Well), at the bottom of which there
was once a well of drinkable water. Here it’s common to distinguish between
sweet and bitter wells, which is reasonable enough.
There’s another street called Pozo Concejo (Council Well)
where the corporation dug a public well to provide for an increasing population
at some point. It’s long gone, as has the original spring and the other wells
in the town itself, but the names live on, and we remember a little of our history
therby.
Etiquetas:
How we used to live,
Random Thoughts
Sunday, October 16, 2011
Memories of 70's Britain
The role of the Indian and Pakistani immigrants is being played by the Chinese. Although there have been Chinese restaurants in most Spanish towns for over 30 years, in the last few years there has been an explosion in corner shops and cheap boutiques run by Chinese. They work very long hours, have low overheads and no employees, and offer people what they want when they want it. They give their children Spanish names and make sure they integrate, study hard and don't have to spend their lives working 15 hours a day 7 days a week to make a living. It all sounds very familiar.
Because of the system of public employment, devised to
combat a particular type of political corruption in the 19th C, it
is almost impossible to remove the unnecessary, lazy or incompetent. With the problems
the country has now there is a need for someone to change a lot of things.
Mariano Rajoy, despite his merits (not being Zapatero is a good start), is
unlikely to have the guts to do what has to be done. It isn’t just fighting
with the unions and losing the next election that’s the problem; it’s also that
restructuring the entire economy means a great deal of hardship for many
people. In 80’s Britain the result was that by 1988 it was a different country
from the Britain of 1979. Without the reforms, without Margaret Thatcher, it
would not have happened. But for many people it meant years of hardship before
the change caught up with them.
I don’t see any Spanish government in the near future
changing the employment conditions of their employees (they certainly won’t ask
those of us who pay them what we think). So there will be no 80's in Spain in the near future, but we could do with one.
Etiquetas:
How we used to live,
Speculation,
This is not a random thought
Saturday, October 15, 2011
The Town this Saturday (and the Rugby)
There is life in the town today.
There
are a number of coloured awnings in the Square. Different groups are doing
comedy acts, singing, organising games for the children, handing out leaflets
and collecting signatures, in the name of eradicating poverty, Aids, rickets
and other bad thin gs. At least they will probably achieve something, however
small, and these things can only be done a bit at a time. And they are
collecting moent and making their causes known in a friendly way which attracts
people to them. In other words, they are decent people giving up their time and
energy trying to do a little good, and
with the wit to actually do it.
Unlike the miserable bunch of communists who had attached themselves to a corner of the show. They were spouting the usual rubbish, which I'm sure not even they believe any more, or even listen to. Since nearly all the real poverty in the world is their fault, they can't have much to offer by way of a solution. And they resolutely fail to appreciate that in order to relieve poverty you have to let people create wealth, when the whole point of communism as far as I can see seems to be to stop that happening. Still, Viva la Libertad de Expresión!
Unlike the miserable bunch of communists who had attached themselves to a corner of the show. They were spouting the usual rubbish, which I'm sure not even they believe any more, or even listen to. Since nearly all the real poverty in the world is their fault, they can't have much to offer by way of a solution. And they resolutely fail to appreciate that in order to relieve poverty you have to let people create wealth, when the whole point of communism as far as I can see seems to be to stop that happening. Still, Viva la Libertad de Expresión!
There
was a young evangelist in the Plaza del Pilar, outside the Caja Madrid,
standing on a box with what I think were kick-boxing gloveson his upraised
hands, speaking about the love of God and how he gives us more than we can
possibly imagine. He spoke fairly fluently and confidently and seemed to
understand what he was saying. A few people were gathered round, listening, out of curiosity I imagine. I don't think that's the way to make converts, but it gave him satisfaction.
On a different subject entirely, in rugby I'm a Welshman. My great-uncle Cyril played for Wales, it's in the blood. I've seen the Warburton play- it was a terrible tackle, the kind that breaks necks- and I've read the Laws- it is clearly typified as dangerous play- but I'm a bit out of touch with rugby generally as you can't see much over here, and so I lack the context to make any kind of proper judgement. People are saying that, whatever the IRF has decreed, that action is usually a yellow card rather than red. Should I be spitting blood, or just saying 'bad luck' and accepting defeat graciously? Wales should have won in any case; they missed two clear chances near the end. It's a funny old game.
Added: The more I look at that tackle, the less I think Warburton has anything to moan about. It was very dangerous indeed. He lifted the player five feet in the air, turned him over and dropped him on his neck. No, there's no malice, just an excess of adrenaline and poor judgement, but that and bad kicking cost Wales a game they should have won. So if I'm spitting blood it's because the skipper made a fool of himself when he should have known better.
Friday, October 14, 2011
The Weekend
There were about a dozen of us. The usual crowd, broadly
speaking. Most of them go to the country for the express purpose of getting up
late, sitting in the kitchen all morning gossiping, drinking beer, and
complaining about their hangovers, rising late from the siesta, and sitting in
the kitchen all evening gossiping and drinking sweet rum. Lunch is generally taken
in the garden, which is the only occasion on which many of them leave the
house, and dinner is a late barbecue which is fun to do but rather pointless as
most people are already full of snacks and beer by that time. The dogs
appreciate the leftovers.
Everything I could say about the country and the lakes I’ve
said before, so here are some photos: new angles, new ideas.
*Don Quijote spent a night in it and had a series of visions which he later admitted were the product of his confused imagination.
Etiquetas:
Life and How She is Lived,
The Country
Wednesday, October 5, 2011
Touching Lives- Unanswered questions
Just south of Madrid there is a pair of villages called Pinto
and Valdemoro. They have grown so much that there is a gap of only a few
hundred yards between them. They have long been used proverbially to refer to a
difference so small as to be negligible. Until I checked just now I had always
assumed that they were actually linked, and I suspect most people who don’t
know the area would make the same assumption.
There is a village down the road from here named after the
son of the legendary founder of the town I live in, as though it were a kind of
daughter colony, its status reflected in its being given the feminine version
of his name. In the last few years it has grown so much that the two towns are
now closer than Pinto and Valdemoro. If
it weren’t for the motorway recently built on the municipal boundary, they
would by now have coalesced.
I went walking to a shrine on a long hill, a kind of ridge,
the other side of that village, on Saturday. The views from the top are not
spectacular, but they have a form of beauty, and they fill you with a sense
that everything you can see, and which you know so well, is yours. I have been
there in the mist, the rain and the wind, but this time it was sunny and I could
survey my entire realm.
The shrine is of no architectural interest, but it’s there.
Every spring, on a date I can’t remember exactly, the people carry the local
Virgin up there, then set up camp and get extremely drunk on cheap wine. I have
been there the next morning when they are treating the hangover with fried
sausages, seeking the strength to continue the party, and pretending to prepare
for the Mass.
On this occasion, as I approached the shrine itself, there
was movement. I was vaguely away of people to one side of it. A young couple, I
registered, I think. At that I might have noticed no more than the presence of
humanity. I stopped to look between the trees to my left at the plain below me and
the town I had come from in the distance. A few second only, but long enough
for an engine to start up behind me. I turned. It was a moped, riding down the
hill from the shrine. The young couple, teenagers, were on it. They both had
their faces turned away from me, and the girl, who was the passenger, hid hers
with her hands as they passed.
Why had my arrival scared them into running like that? Why
did they think I might know them, or care about who they were and what they
were doing there? They had gone there to be alone, of course, and I had accidentally
interrupted them, but they could have pretended to be watching the crows for a
minute or two and I would have gone again. Why were they afraid to be seen? By
me or by anyone?
How did it end? Did they find another quiet place? Did they
argue? Was the girl angry because the spot the boy had chosen wasn’t as
isolated as he had promised? Was the boy angry because the girl had taken
fright too easily? Despite their youth, was there a reason they should not have
been together?
I can’t answer those questions, because this is their story,
not mine. The story, if it is worth telling, cannot be told here. It will be
written in their lives, and I will never know it.
Etiquetas:
Minor Lives,
Speculation,
Wandering
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