The sky is too great, too apparent, too compelling a canvas
not to have drawn the attention of the greatest of artists. And what we see
drawn on it is too powerful, too vivid, too varied, it imitates the range of
human emotions and experiences so closely, yet so enormously, that it can only
be the work of an artist. It can express calm, quietude, the love of beauty,
anger, terror, despair, new life, authority, madness, dizzy colour,
soul-destroying blackness. We recognise it all and feel it, respond to it all,
more strongly, more broadly, than we respond to those same feelings within
ourselves. The sky can tell us what we are and what we feel, it can tell us
things about ourselves we didn’t know.
The sky can tell stories, and not just our own stories. Is
it possible that the clouds have no narrative? Do they move about, around one
another, heap up, disperse, attack each other, cover and reveal the sky, collide,
stream and curl away to nothing, take on the colours of flame, anger, hatred,
love, jealousy, the Virgin Mary, the deep ocean, the Jamaican sand at noon, the
boiling, melting of a volcano, the gently mixing shades of a quiet
river, the darkness of doom, all to no purpose? Can it mean nothing?
There are many stories to be read in the sky, stories told
by the great artist who wrote painted them there. But I have never been able to
read them. It should be possible. Not easy, but possible, to read the stories
in the sky and to know that they are true.
The sky is a great canvas, and the artist is the observer.
2 comments:
It might be a canvas but it's a bit tricky getting up there to paint on it.
Maybe I can persuade the Arts Council to give me a grant for a very long ladder.
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